'Sightseers' takes a road trip through black-comedy country
Come for the Tramway Village in Crich and the Pencil Museum in Keswick, stay for the head-bashing.
The tourists are Chris (Steve Oram) and Tina (Alice Lowe), who've been dating a few weeks. Chris is the roadside enthusiast, a big red-bearded lunk who likes to drive his caravan to remote areas of the Midlands.
To take their first road trip together, Alice must part from her nasty mother (Eileen Davies), a cranky lady who still blames her daughter for the accidental death of the family dog.
Death, accidental and otherwise, will follow the happy couple around as they travel.
Though apparently amiable, Chris has some very strict ideas about acceptable behavior -- he is English, after all -- and rudeness, littering or acting above one's station will set him off in ways that rapidly become homicidal.
Tina is herself not entirely balanced. In fact, the two appear meant for each other; one of the film's most amusing strokes is the suggestion that despite their antisocial tendencies, these two lunatics might actually be in love.
Their quietly crackpot interaction is easily the best part of "Sightseers," and can be chalked up to a longstanding personal and professional partnership between Oram and Lowe. They are standup comedians and the authors of the screenplay, which they developed through a series of sketches first performed on stage.
Director Ben Wheatley, who's made a name for himself in recent years with edgy fare such as "Kill List," does not make any of this cute. (Well, maybe except for the giant pencil on sale at the Keswick gift shop.)
When the murders happen, blood erupts and skulls cave in; this is satire carved with a cleaver.
Is it anything new? Not really. The dark humor is in line with a brand of British comedy that stretches back to "Kind Hearts and Coronets," though it takes a more explicit form here.
Two things give "Sightseers" a leg up. The location shooting is a canny counterpoint to the violence, so that a visit to a stone circle -- a place of probable ritual sacrifice -- somehow makes perfect sense as a spot for a new murder.
And the comic delivery of Oram and Lowe is spot-on. Nobody self-satirizes like the English, and in these two clueless travelers, we have a merciless portrait of centuries of civilization gone wrong.
Black humor served up British-style, as two ordinary-looking but quite lunatic tourists (screenwriters Alice Lowe and Steve Oram) caravan around the Midlands of England with blood on their hands. Director Ben Wheatley doesn't exactly find anything new here, but Lowe and Oram have undeniably funny chemistry together.
Rated: Not rated; probably R for violence, language, subject matter.
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